Chapter 878 The Youth Can Expect

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    The result was similar to what Luo Xun thought. After flipping through the film critics’ column, most film critics gave “Burning Sun” a good rating. Although there were some criticisms in the middle, it was not conspicuous among the many praises. .

    Old rules.

    Look at Xu Wenjing.

    When I clicked on Xu Wenjing’s column, the other party really wrote a film review, giving it a 4 out of 5: “As the summer season was about to end, this very different Chinese-language film suddenly appeared in the theater, with a dark theme. The breaking of the binary opposition with the bright; the precise scheduling of the film, the textured lens language; in addition, the bizarre plot and the current largest scale in the mainland make this “Burning Sun” exude a unique temperament.”

    Good . Well, come up and brag.

    Luo Xun continued to read: “The official introduction is [On the scorching and heart-wrenching way of chasing the murderer, the father-daughter relationship, the same-sex friendship, the mingling of crime and righteousness, love and law, but changed at the end of the story], And the story of the movie itself is more complicated than this introduction.”

    Luo Xun thought so too.

    He filmed the tragic theme of “The Burning Sun” because he felt that the theme was worth exploring. Xin Xiaofeng and A Dao, the so-called murder and rapists who were hiding in Tibet, actually lived in reverse, which represented human nature. The highest point of goodness and the highest standard of morality.

    They are actually kind.

    So they have been doing the act of “sending death because of kindness”, and even in the end, the script pushed each of them to the road of death in a very extreme way, and even gave them the reason of compassion. Unfortunately, in the process, the film gradually lost The credibility and universality of the film makes it seem like an overly accidental stacking of coincidences, which creates a certain degree of falsehood—

    this is the drawback of the film.

    But Luo Xunming knew that there were such drawbacks, but he still shot it, because he felt that the ideology of this movie was greater than the plot itself. From the beginning, everyone had no way to escape, and the truth was the same.

    When morality and law confront each other –

    Duan Yihong’s policeman pursues the murder case relentlessly, until it eventually leads to tragedy, just like a line in the movie: “Law is a combination of divinity and animality, it is very Cute, it knows you are good, and it restricts you from being so evil that no one has such a dirty mind.” The

    scorching sun burns my heart.

    The core of the “outlaws” of the two sides has been magnified to the greatest extent. What the characters show is not a simple conflict and confrontation. Some people misunderstand that Duan Yihong has basic feelings for himself in the play, but it is actually a kind of reconciliation and warmth. The footing is strong enough to be thoughtful and thought-provoking.

    If again.

    Will I change the shot?

    After reading so many comments, Luo Xun asked himself in his heart, and then he found that he was a little shaken. Maybe he didn’t have to pursue the identity reversal of the ending, and just cut off the last ten minutes and changed it to the original work after lethal injection. The ending of the novel “Sunspot”, chatting with the above and striving for a larger scale will make the movie more exciting?

    shook his head.

    Luo Xun felt that it was meaningless to think about such a question. I asked every director the same question, and asked them if they would make changes when they re-shoot a certain work of their own. As long as they don’t pretend to be forceful, they will basically have the intention to change. After all, people can’t ignore the attitudes of others, and they will always subconsciously want to avoid them. Moreover, some shortcomings can only be exposed when a movie is officially released. It’s just that the benevolent sees the benevolent and the wise sees the wisdom.

    “The movie is very fierce.” The

    film review wrote: “The characters have distinct personalities, and the plot goes to multiple ends. After watching the whole movie, you can find the terrible thing about Luo Xun: the dramatic turns are well controlled, the tension is strong, and the rhythm is tight. And this also directly covers up the logical omission. From the perspective of director ability, Luo Xun has directly achieved a qualitative leap in his directing level after “Wolf Warrior”. He has transitioned from a talented newcomer to a movie veteran!

    ” veteran!

    This is Xu Wenjing’s evaluation of Luo Xun: “I once communicated with Teacher Luo Xun when “Wolf Warrior” was released, and I was blunt about some of his shortcomings in the movie, of course, those are the shortcomings I think, maybe some people think Those disadvantages are advantages and I can’t say for sure, but after seeing Luo Xun’s second movie, I suddenly realized that I don’t need to talk so much, Luo Xun knows his own problems, and he will practice time and time again. He’s armed to the point that he’s getting more and more perfect, it’s only the second movie, and his performance is already worlds apart from his performance in the first movie!” That’s

    right.

    For Xu Wenjing, for Luo Xun, “Scorching Sun” is really a big improvement compared to his first film, so big that Xu Wenjing can’t imagine that the two films are from the same director!

    The first film.

    Luo Xun has taken the commercialization path that is most suitable for novice directors. It uses military action films as the carrier, rhythm as the core, coolness as the selling point, and big scene support as the proof of the shooting skills. Although it has achieved what a novice director can do The limit is reached, but there is still a long way to go from those experienced domestic directors.

    The result is the second film.

    Luo Xun actually made the theme of “Burning the Heart”, a theme that explores people’s hearts and depths, and abandoned the commercial action films he already had some experience in. He made such films that are not easy to get the box office, but he still did it in a prudent manner. It’s so surprising!

    originally.

    Xu Wenjing also thought that Luo Xun just wanted to be hypocritical and show his literary sense, but he didn’t expect that Luo Xun was not hypocritical. His films really showed and expressed. The two films, completely different types, were both in They have done a good job in their respective genres!

    This is progress.

    The difficulty of controlling the subject matter of the second film is obviously higher than that of “Wolf Warrior”, but Luo Xun’s ability to control the same is the best manifestation of his progress. Because of the time factor, it is easy to get a high score, which is why many film critics give high evaluations-

    Luo Xun is a teenager!

    Well, but looking at age, Luo Xun, who is in his early thirties, is expected to be a teenager. After all, it is a bit forced. Luo Xun has reached the golden age of his life and career. The age of the directors, it seems that there is nothing wrong with Luo Xun saying “youth can be expected”, and there is no sense of disobedience at all.

    As for Luo Xun’s current status?

    Given that many people are discussing it, Xu Wenjing also said at the end of the film review: “The release of “Burning Sun” means that Luo Xun is truly qualified to enter the ranks of China’s super first-line stars, even if the film’s box office It is not yet known, from the strength of the performance to the ability of the director, he has been recognized, and he deserves such an honor.”