Chapter 823 Take mine and give it back

The next thing to deal with is the alarm device connected to the police station at the monitoring station. This thing is the top priority tonight.

Jin Muchen came to the monitoring station and first looked at the alarm button, which was locked in a glass cover. The glass cover was made very strong. It seemed that he was afraid that if the monitoring personnel accidentally triggered the alarm device, it would bring trouble to the police. , so the protection is very strict.

Jin Muchen didn’t move the cover, but climbed directly under the table, and sure enough, he saw the safety box of the device below.

He has also specifically learned that the power supply of such a security system is independent of the entire system where it is located. The purpose is to prevent the alarm system from failing if the entire site to be protected is powered off.

Therefore, such alarm devices are generally powered by an independent power supply system.

The power required by this alarm system is not very large, so as long as the daily electricity wire can supply power to him, but a separate fuse box is generally installed near the alarm system to avoid the occurrence of blown fuses and the like. .

And all he has to do now is to open the fuse box, unplug the fuse inside, and make the alarm system ineffective.

In this way, the police station will not receive a trigger alarm, and he just found several keys from the waists of the two technical houses just now.

After just a few tries, he opened the fuse box, then pulled out the fuse, and then completely blew the wire. Jin Muchen then got out from under the table and let out a long breath.

Now I can finally rest easy, but before that, I still have to give it a try.

He looked at his watch, it was nearly midnight, and he had to hurry, because he had several places to visit tonight.

He went straight to the exhibition hall of the main hall outside. He went straight to the second exhibition room. If I remember correctly, there are several Japanese national treasures.

And the first thing he has to face. It is the chrysanthemum saddle. This thing is a wooden saddle covered with lacquer paintings. It is a family heirloom of the 13th-14th century, Kamakura period.

Saddle black lacquered. But on top of the black lacquer, many chrysanthemums were painted with gold lacquer, which are well preserved and look very beautiful.

It is the representative work of Japanese lacquer painting at that time, and it is still spent on the saddle, so it is even more unusual.

To know in that era. Being able to ride a horse is definitely not an ordinary task in Japan, and this Toshi family is also one of the famous names in the Kamakura era.

This treasure was collected by the Tokyo National Museum in Japan in 1952, and was rated as one of Japan’s top national treasures, with very high archaeological and artistic value.

According to the assessment of archaeological experts from the Tokyo National Museum, this saddle can be said to be very characteristic of the times, and it can very well reflect the superb techniques and artistic aesthetic characteristics of the Japanese saddle makers of that era. So the collection value is very high.

But now, hehe, Jin Muchen sneered twice at the saddle locked behind the glass cover, and then raised his hand with a hammer.

This hammer was the one that accompanied him in several museums. Because it was easy to use, it was never thrown away, and Jin Muchen was quite experienced in smashing such a glass cover.

The hand lifted and the hammer fell, and then the bulletproof glass cover just slammed into pieces all over the ground.

Jin Muchen looked at the saddle inside. I looked at the hammer in my hand and smiled in my heart. I have experienced this hammer in the past 100 years. If it is spread out, then this hammer will definitely become a well-known antique whose value is no less than that of this saddle.

After all, the hammer that can personally smash the Boston Museum of Art, the British Museum, the Tokyo National Museum, and the treasure shield is the only one in the world, so this hammer will definitely be the same as its owner. become a legend.

After stinking for a few seconds, Jin Muchen pulled out another machete from his arms. This machete was also a special tool made of high carbon steel. , is cut off.

Looking at the neatly broken metal wire, Jin Muchen was delighted, it seems that no matter how hard the metal is, as long as you are strong enough, it will definitely be destroyed.

Reaching out and pulling the saddle into his hand, he threw it into Ziyu Space without much appreciation.

Then he didn’t continue, but flew back to the monitoring room downstairs. He wanted to see if the security room would receive an alarm signal.

After all, he also came out with a lot of information from the security guard before. Who knows if the museum will arrange double insurance for the baby.

It would be bad if they still had an insurance mechanism.

However, what he saw in the security room made him relieved. There were no other alarm signals sent from it, and no alarm signals were sent from here. It seems that the security guards are really honest people, and they did not talk to him. Tell a lie, and save their lives in vain.

This kind of effect made Jin Muchen very satisfied. He immediately turned around and left the security room and went straight to the second exhibition hall upstairs. There are several Japanese national treasures waiting for him here.

Without the interference of the alarm, Jin Muchen was happier and worked harder.

When he lifted the hammer and dropped a glass cover, it turned into shards all over the ground with the sound of clattering. Jin Muchen stretched out his hand and pulled out the treasure inside. Then he lifted the knife and fell, cutting off the golden thread that helped the treasure.

The name of the treasure that I got this time is called Yinbao Yingshu Wenhekou, which sounds very elegant, but it is actually a short knife.

Not to mention the blade of this knife, it is a typical Japanese knife, made by traditional Japanese knife processing technology. difference.

The chrysanthemum character sect is actually mainly an ornamental knife, not a practical tool, while the silver-clad cherry tree Wenhekou in front of me is quite different, it is a practical knife.

The blade is thicker, especially the back of the blade, which is much thicker than the Juwen Yizi Zong. The blade seems to be blunt, but it is more practical. Such a blade will not be easily rolled.

The handle is made of ivory, the scabbard is silver, and on the upper end of the black scabbard, there are cherry blossoms with gilt seal painting, which makes this knife look very extraordinary, just looking at the fine carving of the scabbard If you look at it carefully, you can know that this knife was definitely not something that ordinary people could afford.

And this knife is cold and radiant. It has been in this museum for so long, but you can still feel the coldness of this knife in your hand, which means that this knife is a murder weapon that has seen blood, and maybe there are more An amazing piece of history.

But Jin Muchen didn’t have the time to pay attention to those now. He simply learned about the situation of this knife through the text introduction on the booth.

It turned out to be the work of Ichitari Goto, a famous Japanese swordsmith in the Edo period of the 19th century, so it is no wonder.

This Goto is in the history of the production of Japanese swords. A fairly influential figure.

It’s no wonder that this Japanese sword is rated as a national treasure of Japan!

But now these Japanese national treasures are all Lao Tzu’s!

Didn’t you Japanese people search very well in our China back then? Don’t say it’s a treasure, even the soil can squeeze out oil, and the land you walk through can scrape away three inches of soil for you.

You were so cruel back then, so don’t blame me for being rude to you today.

If you take Lao Tzu’s, you can take it back from Lao Tzu, and if you eat Lao Tzu’s, you will spit it out for Lao Tzu!

What you did back then, don’t blame me for what you do today, you must know what you did back then, we Chinese will definitely give you back.

Jin Muchen grinned and walked to the next exhibition cabinet. This exhibition room No. 2 is one of the most important exhibition rooms in this museum, because the collections here are all the national treasures of Japan.

From all kinds of lacquerware, to swords and swords that the Japanese are proud of, as well as calligraphy, paintings, and ceramics, they have everything, almost all of them are the essence of Japanese antiques.

Putting all these good things together, the Japanese mainly want to show those who enter this museum for the first time, the splendor they have created by the Japanese, and this arrangement is now greatly convenient for Jin Muchen.

Now I don’t have to run around. You must know that this museum has an area of ​​6,000 to 7,000 square meters. If they display Japanese national treasures in a scattered manner.

Then you have to go to multiple exhibition halls~www.readmtl.com~ It will be a waste of time and will also affect the efficiency.

But such a concentrated display is really convenient for me.

Jin Muchen grinned and came to the front of a glass showcase. This glass showcase was hung on the wall, and inside this glass showcase was a painting.

This painting is actually the famous Huaxia Fun Picture Screen. It looks like a painting, but it is actually a paper painting on the screen. However, for the convenience of storage, the paper painting was removed from the screen. So now it looks like a painting.

The picture shows a noble boy on the left, sitting on the corridor of the hall, watching the scene of several beauties dancing under the cherry tree on the right.

To be honest, painting is just like that. The style of painting should belong to the painting skills of ancient Chinese figure paintings. Jin Muchen, who is used to seeing famous ancient Chinese paintings, is not unusual when he sees this painting.

The only difference from those ancient Chinese figure paintings in his collection is that the people in this painting are all Japanese. (To be continued.) Enable new URL