Chapter 832 Japanese porcelain

In fact, this is also a kind of retaliation against the evil exhibition in China with a very clear purpose.

As for that exhibition, Jin Muchen didn’t know about it before. If it wasn’t for the Japanese reporting, he wouldn’t know that there are still people in China who are so creative and specially created such an exhibition to weed out the Japanese.

He later went to the Internet to search for reports of the exhibition, but of course it was full of negative scolding.

Many archaeologists have said that this exhibition is a nasty joke. What the Japanese can see, how can we Chinese scholars not see it.

However, everyone scolded it, but the organizer of this exhibition was not announced at all. Of course, this is also an unspoken rule that everyone knows well.

In fact, we all know that the Japanese knives on display in this exhibition are nothing but fakes, and many of them are even imaginary fakes.

But the reason why such an exhibition is held in Beijing No. 5 Middle School is that the purpose is to educate the students in those schools not to forget their national humiliation.

Think carefully about this, how can those domestic experts not understand, so everyone is scolding, but the information about the organizer is of a unified caliber, and never mentions it.

The Japanese, especially in diplomacy, have always been known for their small stomachs, especially when it comes to China, they have always been accustomed to being arrogant.

If there is a little bit of their Japanese nationals being bullied on Chinese soil, then their embassy or consulate will definitely take the trouble to call the Ministry of Foreign Affairs and ask for trouble.

But this time they kept their mouths shut and didn’t make a sound. Because this time it is really difficult to start. After all, the Chinese people will display the relics of World War II war criminals. Although these Japanese people are national heroes in the hearts of many Japanese people. But they can only talk about this in Japan, and internationally these people are all well-known first-class war criminals.

Even if they want to. It’s not easy to manage, not to mention that the relationship between China and Japan has been so bad now?

And the things on display are not necessarily true, so this time the guys at the Japanese embassy were very quiet.

They kept silent, but the news had already reached Japan, so the **** as the Prime Minister of Japan had to respond.

You must know that in recent years, he has changed his former **** image and has become the spokesperson of the Japanese far-right. Internationally, it is adhering to the principle of always opposing China and engaging in diplomacy.

Now the Chinese are actually throwing dirty water on his grandfather. Although everyone knows that the knife is a fake, if he doesn’t say anything, it will definitely be regarded as a show of incompetence by the Japanese right-wingers. Maybe I won’t get the support of those guys again.

So he had to respond and grasp the scale, so he donated the saber left by his grandfather Nobuyuki Kishi that was treasured by his family to the Tokyo National Museum for exhibition.

This slap in the face was very beautiful, but it was unexpectedly cheaper for Jin Muchen.

At this time, he looked at the western knife in his hand. A burst of joy in my heart, **** ah ****, you must not have thought of it, right?

Originally you just wanted to fight back this way. The ridicule of the Chinese side towards you, but you must never have imagined that this will actually make you and your grandfather’s saber say goodbye!

For such a knife, although his original owner was a civil servant, he never personally killed the Chinese, but when he was the governor-general in northeastern China, he must have done a lot of things to harm the Chinese when he went abroad.

Therefore, although he did not personally kill the Chinese, as an important civil servant in the Japanese government during World War II, he must have formulated or executed many plans to harm the Chinese. So his hands are also stained with the blood of our Chinese people.

And this knife now seems to be so well maintained by his descendants. It must have taken a lot of thought, maybe even their home. Some people may regard this knife as a family pride.

What does this show? It shows that ****, the descendant of the World War II war criminal, never sincerely repented for the wrong things his grandfather did back then, including his family.

In this case, don’t keep this knife, lest it become the spiritual sustenance of your family, so let me handle it.

Aren’t you Japanese mocking, we Chinese are making up and making up the relics of your Japanese sages?

Well, then I will send this knife back to China and give it to the person who cares about it. At that time, I will hold an exhibition to see what else you Japanese have to say.

Jin Muchen walked out of the exhibition room with a smile on the knife, and then went straight to the exhibition hall No. 8.

In this exhibition hall, all Japanese porcelains are displayed, but there are not many porcelains of Jin Muchen’s eyes that can be entered, only two or three pieces, which he sees as acceptable.

Needless to say, the origin of Japanese porcelain comes from China. When they got up early, they couldn’t produce porcelain at all, and they could only import them from China.

It was not until after Mengyuan destroyed the Southern Song Dynasty that a large number of craftsmen fled to Japan and brought real porcelain-making skills to Japan. Since then, Japanese people began to learn how to make porcelain.

But for a long time at that time, Japan’s fired porcelain industry was completely behind China, and it was completely imitating.

This situation continued until the Edo period in the eighteenth century. At that time, the Japanese began to contact the Portuguese and the Dutch in the West, gradually began to understand the outside world, and began to accept a lot of art. Influenced by the West, it began to be in artistic creation, and gradually formed its own unique school.

Especially after starting to do business with the Dutch and Portuguese on a large scale later, because China was in the stage of seclusion and isolation, only Yangcheng was opened by the Qing government as a trading port.

At that time, the Thirteenth Bank of Yangcheng was the dominant player in China’s foreign trade and completely monopolized foreign trade.

And the goods they controlled for export could not satisfy the appetites of the Portuguese and the Dutch at all, so these two companies began to customize a large number of porcelain from Japan, so Japanese porcelain began to follow this opportunity and entered a prosperous stage. And gradually developed his own style.

The three works that Jin Muchen valued this time happened to be the two top representative works of Japanese porcelain in this period.

One of them, called Segui Sakuragawa Wendeli, the name sounds very inexplicable, but if you really look at it, you can still see it at a glance, isn’t this a Chinese gourd bottle?

It is just a very large gourd bottle, and the technique of painting is used on it. The three colors of red, yellow and green are intertwined to draw different patterns.

In nature, it is similar to the popular pastel porcelain in the Ming and Qing Dynasties, but our Chinese pastel can basically make five colors appear together. This technology may be very simple now.

But at the time, that was a feat.

At that time, only the Chinese had mastered this technique. The Japanese, hehe, can make three colors appear on a piece of porcelain at the same time, which is already a great skill.

This gourd bottle looks really beautiful. Although it cannot be compared with the top ceramics in China, the pattern on this porcelain is very distinctive.

For example, the red area on the front is dedicated to geometric figures painted in red, and the green area on the back is also the same.

Only the red and green interlaced area in the middle is depicted with cherry blossoms, and yellow is used to embellish the stamens, so the style is very rare, and it is no wonder that it is rated as a national treasure of Japan.

The most important thing is that this vase was actually created by Imari, a famous Japanese porcelain maker in the Edo period in the late seventeenth century.

Another piece of porcelain that Jin Muchen liked was called Se-painted Cherry Blossom Tree Dish, and the name would be confusing.

But if you look at it intuitively, you can understand that it is just an ornamental flower tray.

The diameter of the flower plate is not small, and the base is white porcelain, and the pattern of the cherry tree painted with blue and white and red pigments is on it.

This time, it is not so many cherry blossoms, but a whole cherry tree. The beautiful cherry blossoms on the tree appear to be rich and glorious.

You must know that this cherry tree~www.readmtl.com~ is the national flower of Japan. It is also a symbol of prosperity and wealth in the hearts of Japanese people. It has a very good color and meaning, so it will appear in almost 90% of Japanese art works. superior.

But most of the works only paint flowers, and rarely even the whole tree is painted, because this is very important for the user, and those who dare to paint the whole tree must be made by a dignitary, if it is a flat head Ordinary people or businessmen will never be allowed to use the utensils painted with the whole cherry tree, because it is made by the ancestors.

But the plate in front of him has a whole cherry blossom tree painted on it, which means that the owner of this plate must be extraordinary.

However, regarding the specific origin of this plate, Jin Muchen didn’t have time to examine it carefully. Anyway, after stepping on the plate that day, he simply searched for information about this Japanese porcelain plate in the evening.

Later, the most popular argument was that the reason why this plate was rated as a Japanese national treasure was actually mainly because of the carcass of this plate.

The body of this plate is made of pure white porcelain, and it is the white porcelain base produced in Nabeshima. It is said that this is the first great work derived from the white porcelain base produced in Nabeshima. (To be continued.) Enable new URL