Chapter 841 snow boat painting

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The people of the Kuroda family hurriedly transferred the slave king gold seal to the Tokyo National Museum. In their opinion, this was a smart decision.

Although their Kuroda family has fallen, it is a rotten boat and has three pounds of nails. After so many years of accumulation, even if the cash handed down is not much, there are still a lot of family treasures.

Especially the slave king Jinyin, but anyone who plays antiques in Japan, no one does not know.

Although the Emperor of Heaven doesn’t like this thing very much, but there are others who like it, so the people from the Hetian family must also know it very well.

If they came to ask for something, even if they were told that it was in Tokyo, would the Hetian family dare to come to the Tokyo National Museum to **** it?

And there is another advantage of depositing it in the Tokyo National Museum, that is, no one dares to pocket it.

You must know that in addition to guarding against the bandits of the Hetian family, they also need to guard against other people who are ready to take advantage of the fire.

Their family’s accumulation of so many years has been passed down, but there are many antiques passed down. If this is put into other museums, maybe those guys will take this opportunity to ask their family to cut meat.

. However, if it is stored in the Tokyo National Museum, it will be different. After all, this museum is actually the industry of the imperial family.

The Emperor of Heaven’s attitude towards the golden seal has always been very ambiguous. Although the thing should belong to their family according to law, their family is not willing to take this thing back, and they are disgusting themselves all day long.

Now people are the emperor of Japan, and Japan is no longer the Japan of the year. What’s more, China is no longer the kingdom of the Celestial Dynasty, so what is the purpose of bringing back such an insulting and insulting King Jinyin, who was the emperor of the Celestial Kingdom more than 2,000 years ago, for no reason?

Where do you put it every day, do you look awkward?

Even if the Emperor of Heaven has no quality, it can’t do such a thing. Therefore, they felt that it was the safest and wisest choice to transfer this golden seal to the Tokyo National Museum.

In this way, there is no need to be afraid that the people of the Hetian family will come to ask for it, and there is no need to be afraid that the Emperor of Heaven will embezzle this golden seal.

After all, this golden seal is the most precious among the many treasures that their family has inherited.

Although their family is in decline now, they are also very clear that if their family wants to make a comeback one day, they only need to take out this golden seal and sell it. It will definitely get back hundreds of millions of dollars in money.

Especially the good-faced Chinese people will definitely be rushing for this stuff. Now there are so many rich people in China, I believe many people will be willing to open their wallets for this gold seal, and they can exchange it for it at will. One or two billion dollars is not impossible.

So the importance of this golden seal is highlighted and placed in the Tokyo National Museum. They are the most at ease.

It’s just that they couldn’t think of it anyway, this is the safest place in Japan in their opinion. Today, a thief like Jin Muchen will be recruited.

Therefore, the golden seal of their family is destined to be lost.

And Jin Muchen entered this golden seal into the bag with a belly full of surprises, not to mention how beautiful it is.

Mad, this time, the Tokyo National Museum really didn’t come for nothing. It was no reason to accept such a treasure, the original golden seal. He had already heard of it.

However, he also knew that this gold seal was collected in the Fukuoka Museum. Originally, he was thinking about it. It seems that he will have to search Japan several times in the future before he can collect this gold seal in his pocket.

After all, after the experience of the theft from the Tokyo National Museum. Other museums in Japan will surely be on their toes and set up more advanced alarm systems.

At that time, when you come to Japan to search, even if you have a special skill, it will not be as easy as this time.

But who would have thought that this time, it would take no effort to get it. I didn’t expect that the people of the Kuroda family would cooperate so well, and I obediently put this golden seal into my arms.

Then, of course, he was going to laugh at this gift.

After putting away the golden seal, Jin Muchen continued to move forward, and soon came to the painting and calligraphy area.

The Tokyo National Museum can collect many precious paintings and calligraphy, but most of these paintings and calligraphy that are rated as national treasures are ancient Chinese paintings, and most of these paintings are collected in the East Asia Museum.

But in this Horyu Temple Treasure Museum, there are many paintings that are different from those Chinese paintings, but these paintings are created by Japanese painters.

Because they are displayed in the Horyu Temple Treasure Museum, of course these paintings are from the collection of the Imperial Family in Japan, and the paintings collected by the Imperial Family are of course paintings by top Japanese painters.

For example, the snow-boat-style ink-splashed landscape painting Jin Muchen is seeing now shimmers with a strong pale cyan light.

Just by looking at the colors flashing on this painting, you can tell that this painting is definitely not from the hand of the ordinary family.

Although Jin Muchen’s time was very tight, he still stood in front of this painting and carefully tasted the works of this so-called top Japanese national treasure painter.

After all, he has collected a lot of paintings by top ancient Chinese painters, especially landscape paintings, so he wanted to see how this top Japanese painter is different from Chinese painters.

Sure enough, this painting is still very interesting. If you look closely, it is similar to the Chinese ink-splashing landscape painting, but if you look closely, you can taste the different artistic conceptions in the landscape paintings of the two countries.

Chinese splash-ink landscape paintings focus on an artistic conception. They mainly want to express the spirit of tranquility, far-reaching and enlightenment, and more of the sentiments of literati who express their love for landscapes.

This kind of feeling can also be seen in this Japanese Seshou-style painting, but the tranquility and far-reachingness of Chinese landscape painting is missing, instead, there is more of a kind of penetrating sharpness.

It can be seen from this point that these Japanese landscape painters do not seem to really want to stay away from the mundane world and express their love for landscapes, but more like to express a helpless feeling of their own feelings for landscapes.

No wonder the Japanese call the landscape paintings painted by these painters in their own country as broken ink landscape paintings. Just looking at the penetrating posture of the brush is very different from the understated artistic conception in Chinese landscape paintings.

But these Japanese people seem to be using too much force!

Jin Muchen thought secretly in his heart, but in the end, he still showed no mercy and took this Japanese national treasure into his pocket.

This snow boat-style fog boat picture is one of the few handed down masterpieces of the snow boat style. Throughout Japan, the snow boat-style paintings that can survive now can be counted by pulling your fingers.

Although this painting is not a painting by Yang, the famous Seshou-style in the Seshou-style, but as long as the name of the Seshou-style is attached, it will be incredible!

What’s more, this Sesshu-style painting is known as the originator of Yamato-e!

Just hearing the name of Yamato-e, many people may understand that this must be a term created by those Japanese people for the sake of democracy and self-respect and pride.

If you think about it that way, it’s true.

To know the real civilization of Japan, it should actually start from the contact with the Sui and Tang cultures around the seventh century AD, especially in the Tang Dynasty, when a large number of Tang envoys were sent to the Tang Dynasty, and after learning a lot of cultural knowledge from the Tang Dynasty, Japan Only began to transform into modern civilization.

During this process, the Japanese learned a lot from China, not only the political system, but also living habits, religious beliefs, even writing, and art, which were also the main points that the Japanese learned from China during this period.

Since then, Chinese painting art has been transferred to Japan.

In the hundreds of years after this, the Japanese actually followed the calligraphy and painting skills they learned from the Tang Dynasty, and passed on their culture. During this time, most of their main energy was put on In the learning and imitation stage, there is no innovation of its own.

Especially in painting, before the appearance of the Seshou style, they were almost always painting according to the method they learned from the Tang Dynasty.

Although I have also created a lot of works with Japanese style, but in fact they are all changing the soup instead of the medicine. In addition to changing the content of the picture into the scenery of the Japanese and Japan, the essence of painting is the There is no breakthrough in the spirit and other aspects that you want to reflect.

Therefore, later Japanese artists, regardless of the works of that era, are called Tang Fengzuo.

It means a work that completely imitates the Tang Dynasty painting style and technique.

And in such a situation, knowing the appearance of the Seshou-style can be regarded as a major breakthrough.

This Seshou style is actually not a single person’s name. If you think about it carefully, it should be regarded as a genre of Japanese painting.

And to be more precise~www.readmtl.com~ This should be the name of a temple at that time. At that time, this temple was called Seshou Temple, and the reason why it was called that was because the past dynasties of this temple presided over and issued the number. called Snow Boat.

Moreover, the past masters of this temple are all masters of painting. They are best at this kind of Tang-style paintings, and their paintings have a different artistic conception from the previous Tang-style paintings.

Mainly because of these hosts, most of them came from samurai or ronin when they were young. In the end, either because of political reasons, or because of avoiding vendettas, etc., they escaped into the empty door and painted with love.

Therefore, most of their works have some pompous flavor, which is different from the peaceful and far-reaching meaning mainly conveyed in Tang style works in the past. With such works, it is more and more in line with the Japanese aesthetics. The paintings became more and more popular.

And the name of Sesshu-style became more and more loud, and finally it has fully influenced the Japanese painting industry for more than two hundred years!

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