Chapter 848 Pride of the Japanese
This saves Jin Muchen a lot of trouble, because if this Heavenly Holy Bronze Man is in his pocket today, he will have to go through Ziyu Space to repair it.
You must know that when this bronze figure was passed down to the hands of the Qing Dynasty, it was basically tattered. Not only the external meridians and acupoints were blurred, but even the internal organs were rotten. Scum.
And the people of the Qing Dynasty have not repaired this bronze figurine. After all, in their opinion, repairing and repairing this bronze figurine is a time-consuming and laborious task. It is better to make a few new ones directly according to the orthodox bronze figurines of the Ming Dynasty.
So this is also one of the main reasons why this bronze figurine was able to escape the clutches of the Russians. It was because the Russians disliked it as being too old and tattered, so they did not take away the bronze figurine, but took away the better preserved one. Orthodox bronze man.
Unexpectedly, just such a tattered bronze man, in the end, still failed to escape the poisonous hands of the Japanese.
And if the Japanese don’t repair the bronze figurine, and if Jin Muchen uses the Purple Jade Space to repair the bronze figurine, it will be a job that takes time and energy.
Now that the Japanese have helped him repair it, of course he doesn’t have to waste time and energy to repair this bronze man.
Jin Muchen happily collected the bronze figurine and continued to move forward, but at this time, he basically felt that he had almost collected the items in the Falong Temple Treasure Hall.
Although there are still many Japanese people who seem to be top national treasures, in his opinion, these things are just the same.
For example, those Japanese bronze lamps, and some other bronze wares, in the eyes of the Japanese, this is the crystallization of the wisdom and technology of their ancestors.
But in Jin Muchen’s view. It’s just a bunch of rough-hewn knockoffs, and it’s compared to the Japanese national treasures he scoured before.
These Japanese national treasures with rough craftsmanship have little inheritance. Nor does it have the added layer of historical allusions, as such. Whether it is collection value or archaeological value, it must be a few grades lower.
Jin Muchen didn’t bother to search for these things to waste the space in his purple jade space, so he basically let them go.
Of course, his so-called letting go is just that he doesn’t want it, but it does not mean that he will leave these things to the Japanese.
Same as before. He took out the time bombs he had prepared before and installed them on the bases of these Japanese national treasure exhibits. When the time came, these bombs would explode.
And the accelerants released by the bomb after the explosion will easily burn these copper utensils into molten iron, and other so-called Japanese national treasures will eventually turn into ashes.
Jin Muchen raised her wrist and looked at her watch. It was already two o’clock in the morning, it was almost three o’clock in the morning, and there were still two or three hours. It will be dawn.
And he still has an East Asia Museum to visit, so he doesn’t plan to continue wasting time in this Horyu Temple Treasure Museum.
But just as he was about to step out of the Horyu Temple Treasure Hall, he saw something interesting in a corner of the entrance of the Treasure Hall.
That exhibit. He was very small, and when he got closer, he was only the size of a palm. He was covered by a glass cover and placed in an inconspicuous corner on the left side of the door.
Although it is not big and not good-looking, this exhibit exudes a strange light that Jin Muchen cannot ignore.
This kind of light is very strange to Jin Muchen. That is, it is not the golden light of the precious royal treasures, nor the glow of other treasures with their own attributes.
Anyway such a light. It was the first time that Jin Muchen had seen him, and the color of this light was difficult to describe. It was a dark khaki, not as conspicuous as the glitters of other treasures, but it had a very indescribable heaviness.
This kind of heavy feeling, if it is not for people who play with antiques, it is generally difficult to experience such a feeling in antiques.
This kind of feeling is very strange, not so much how people feel about treasures, but rather a kind of temperament peculiar to the treasures themselves.
As for the antiques that can generally derive their own temperament, they are almost all very remarkable treasures.
And now Jin Muchen has encountered such a treasure, so he stopped and came to the front of this showcase.
I stood still and took a closer look. Only then did I see clearly the exhibit in this showcase. It was a very rough, even ugly pottery doll.
It looks very similar to the hilt of a modern sword. If it is not at the waist, and two hands are stretched out, it is very likely that people who do not know how to do it will regard this as a hilt accessory.
Standing in front of the showcase, Jin Muchen did not rush to start, but carefully checked the pottery doll.
To be honest, there are a lot of pottery dolls in his hands, but there are really no such ugly dolls.
The pottery dolls in his hand were all collected when he visited the Boston Museum of Fine Arts and the British Museum.
Those pottery dolls are generally from the Han Dynasty or the Northern Wei Dynasty. The tombs of the princes and nobles are very fine in workmanship.
There are enlarged models, which are almost the same as real boys and girls. Their facial expressions are vivid, and their hairstyles and clothes are very standard and contemporary.
The miniature version has the appearance of a singing and dancing singer. Although it is only the size of a slap, the expressions on the characters’ faces, hairstyles, and clothes on their bodies are also quite exquisite.
Although Jin Muchen didn’t like such tombs very much, but when he was searching, because these pottery dolls were too beautifully made, his hands were itchy, and he couldn’t help but search for a few.
And the pottery doll in front of him, compared with the Chinese pottery dolls he had collected before, was simply not worthy of lifting shoes for our Chinese pottery doll masters.
This pottery doll has an octagonal head and a flat face. The two square-shaped patterns engraved on it represent human eyes.
The part of the nose is a deep groove, which represents the nose, and the mouth is made into a big circle.
The shape of the two hands is also quite funny. If it weren’t for the decorative patterns on the shoulders, it would be really difficult to see that these were two human hands.
If such a doll had to be described, it could only be described in terms of post-modern ideas. It was really hard for Jin Muchen to imagine that in Japan at that time, there would actually be a person with post-modern art cells. Pottery maker.
But when he saw the brief introduction in front of the pottery doll, he was relieved.
Late Jomon works, about 4500-3300 AD!
Seeing this, Jin Muchen’s head shuddered, no wonder the Japanese put such an ugly pottery doll in the Hallyu Temple Treasure Hall.
Just now, when he saw the appearance of this pottery doll clearly, he was still laughing at the aesthetic vision of the royal family that day.
It stands to reason that as a royal aristocrat that has lasted for thousands of years, they must not be short of money. After thousands of years of accumulation, they should have no shortage of treasures!
But why do you collect such an ugly pottery doll? After seeing the age of the pottery doll, you will be relieved.
This is so special, it can definitely be said to be the national treasure of Japan!
The works of the later Jomon period, the things in the park more than 4,000 years ago, although the workmanship is rough, the appearance is indescribable, but if you know what era this work is from, you will be relieved.
You must know that at that time, the ancestors of most countries and nations in the world were very likely still picking fruits from trees to eat.
To know the history of our China, according to the current research, it is only more than 5,000 years old, and the Japanese islands have existed and been active since more than 4,000 years BC.
At least this pottery doll is proof, and the people who can make such pottery dolls are definitely not those savages who drink blood, but human beings who have shown signs of civilization, and even civilization.
In this way, the ancestors of these Japanese people are quite remarkable!
It’s no wonder that the Heavenly Royal Family would collect this ugly pottery doll.
This can be said to be a top national treasure for the Japanese, and even the entire Yamato nation!
Maybe it doesn’t look good, and it has little value in treasures, but this treasure proves that the ancestors of the Japanese were not savages who drank blood. At least four thousand years ago in the park, they were already civilized. .
This will make many Japanese puff out their chests and believe that they are a superior race. This pottery doll is very important to enhance national pride.
Such things, of course, cannot be left to the Japanese.
Especially seeing such a pottery doll, UU reading www.uukanshu.com Jin Muchen immediately remembered the Peking Man skull that was lost by the Japanese before, and the oracle bone inscriptions that were stolen by the Japanese.
That is also the pride of our Chinese people, especially the Peking Man skull, which can prove that the evidence of the existence of our Chinese ancestors is the best and reasonable law for our nation to occupy this existing land. rational evidence.
But because of the Japanese plundering, the result is now nowhere to be seen.
Do you think the Japanese are intentional or unintentional?
Jin Muchen firmly believed that the Japanese deliberately lost or even destroyed the Peking Man skull fossil.
After all, they were in the period of aggression against China. At that time, they wanted to occupy China’s territory forever, and in order to promote the legitimacy of their occupation of Chinese territory, they must make the Chinese people’s own existence on this land legitimacy. Evidence was destroyed.
Therefore, Jin Muchen suspected that the Japanese deliberately lost or destroyed the Peking Man skull. (To be continued.)